With every word I free, I tear
pieces of my soul
from your double fisted grip that
caressed me and
acquainted me with bitter loss.
You, who stood silhouetted
against everything I wantonly desired.
Dark, Machiavellian symphony
with lilting melodies of aching tenderness.
With blood red lips
I whisper desperate
The depth of my longing for you
How do you kill so beautifully?
have you lit inside my veins, etching
my walls and stars with ruin?
I am become the ages
filled with echoes of unfulfilled
If I could write to you of sorrow, if I could explain this devastation,
I’d use words like utterly, and calamity, and grief.
But the words refuse my bidding, choosing to cloak themselves in darkness and half formed thoughts instead.
They shuffle off their course like drunken sailors, lose their way somewhere between half-hearted and dejected.
With quivering chins and sagging limbs, I’ve not the strength to make them dance
to fool a broken heart into being
prettier than it ever is.
Is this who we are, then,
choreographed echoes of moments
long since faded,
like the photographs in the stack of
albums hidden in the bottom drawer
of the china cupboard,
where we still remembered how to smile
in the way only a child can.
Before disappointment came and
leached the glittering hues of innocence
from the years wrought with failing
and flying, and the terrible sepia
that stole in with the loss of childhood.
A chorus of repetition greets the day,
where mimicry is mistaken for flattery
and empty words fall like spent
bullet casings. I string them together
and loop them around my neck,
try to remember how it felt to embrace
a kaleidoscope of living color.
My love appeared to me in the hour
in the dusky hour heavy with the
weight of unspilled secrets. Tell me,
where do you gaily frolic in the hours
you are apart from me? ‘I toil ‘neath
the scorching sun,
weaving love’s incessant yearning like
the beams of bridges to find my way
My heart is made of sandalwood, I trail
myrrh and fragrant spices
You are a city built of shadowed corners
and mysterious alleys
I long to explore them with my fingers and my tongue
Trace the fine veins in your marble walls and wrap myself in your tapestries
I look at you and I see a dark and sweltering night
pregnant with heat and a full moon
and all the little things I want to reveal
in hushed whispers and languid caresses
But you keep your secrets close
and your walls maintained
with the sharp arrows of your archers
that are careless sometimes
with where they choose their target
And I wonder
if you are even aware
Scattered bites of joy in the face of abject suffering
Prying kindness off forked tongues
(Must I wrest my happy from the jaws of monsters?)
Satiating bloodlust of the drunken masses
(If I relish this small joy I found, will it land like salt on your unhealed wounds?)
Don’t look to me to ease your sorrow
If I cannot save the burning city, then I shall glory, unapologetically, in its dazzling demise
My culture is drunk on weddings. It was something that I despised when I became old enough for the matronly mamas at social events to start asking me whether I had managed to snag a potential husband yet. Young ladies were expected to be married off at a very specific age, and the sooner one was able to pull off that feat, the more accolades she could acquire as personal trophies. What one did with those invisible trophies was anyone’s guess because I always had this sneaky suspicion they weren’t keeping anyone warm at night. It was obvious to me that the ring on my finger wouldn’t soothe my upset late at night when I was unhappy if I had only pursued it to prove a point to gossiping busybodies. At some point I started despising the Olympic-style competition for weddings so much that I became averse to the idea of dating at all. There were moments in my life that when a man crossed my imaginary boundaries in pursuit of dating me, I would have severe panic attacks. This also led to toxic relationships that I would only allow because I always subconsciously knew that the relationships would never lead to marriage. It was a self defeating cycle, one that I am genuinely relieved to be able to say I am breaking free from. To this day when in serious conversations about things that break my heart, people mistakenly, albeit with good intentions, slap the ol’ “we need to find you a boyfriend” bandaid on the whole thing. I am always taken aback because in essence they are saying that a love interest will fix all the things have been incredibly grievous to me in my human experience. Sure, I am not averse to love, but I am, and will always be, vehemently opposed to finding love for all the wrong reasons.
If you’ve forgotten how to love me, mi amor, then please recall the words that once upon a time were softly sung to you,
that were crooned so sweetly at your mothers breast in the land that bore your father and his father before him.
Draw near to me, amor, and we’ll map our bodies with the sounds of passion,
where we’ll learn to love anew in your mother’s tongue, passed down from generation to generation.
Let us ink our hearts in nuances of sun-baked streets and moonlit trysts
in dialects that knew of love and loss long before our stars were lit,
that echo still of golden skin, and raven hair, and lips that taste of briny seas.
If you’ve forgotten how to love me, mi amor, let us learn to love again in languages unspeakable.
It is said that one changes personalities to subconsciously reflect the language that is being spoken.
I sharpen my teeth on all the words I keep from you,
rolling them to and fro in my mouth,
tasting every nuance,
so that even if they do escape
they are smooth as glossy pearls.
I cut my tongue when they gallop up my throat
demanding to be released
and I’ve no choice but to choke them back,
slicing my throat to ribbons on their descent, on every jagged crest and
But even in their wake,
I still bleed silver.